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A point becomes a line, the line becomes a plane, and the plane becomes a shape and is read as a figure to her. Cartoons create stories with that point and shape of lines and plane, and the numerical data are conducted in the same way as real dramas that reflect the appearance and desire of society. Her question is where is she in there? In conclusion, she barely exists as a fundamental herself. She exists momentarily in the reflection from various media and other objects that she is watching and experiencing. It could be internet, canvas or a person she is hanging out with. She recognized herself with that look. After all, these are pieces and pieces and moments and moments. Her morror figures express illusionary stories of her with someone made as the dots go into shapes. These are stories that she and someone who communicates with her at least ones made while looking at each other. All the works of <Perforated shapes> is expression and shapes of prejudice against someone who she talkes to and against herself with distorted eyes and becomes illusions that may be true.